
W. A Mozart (1756 - 1791)
Sonata for four hands in B flat major, K358
Allegro – Adagio – Molto presto
F. Schubert (1797–1828)
Fantasie in F minor D. 940
S. C. V. Dodgson (1924–2013)
Tournament for twenty fingers
Gavotte – Romance – Fantasia in C minor – Cradle Song – Hill-Billy
INTERVAL
M. Clementi (1752–1832)
Sonata in E flat major, op. 14 no. 3
Allegro – Adagio – Rondo: Allegro
C. Lambert (1905–1951)
Trois Pièces nègres pour les touches blanches
Aubade – Siesta – Nocturne
A. Dvořák (1841–1904)
Slavonic Dances no. 2, op. 72; no. 7, op. 46
C. Debussy (1862–1918)
Petite Suite, L 65
En bateau – Cortège – Menuet – Ballet
Piano duets combine intimacy & scale, as Emma Abbate & Julian Perkins reveal with some of the finest examples, along with less-known gems. Rivals Mozart & Clementi show contrasts in their Sonatas. Schubert’s Fantasie is a pinnacle of his work and of piano writing. The pieces by Dvorak & Debussy show typical colour, while Constant Lambert shows his quirky side. Emma’s mentor Stephen Dodgson’s Tournament combines tunefulness with agility.
The “amazingly talented” Emma Abbate is a professor at Guildhall with a demanding career as chamber musician & accompanist. The “exuberantly stylish” Julian Perkins plays harpsichord, clavichord & piano and conducts. Together they have recorded the Mozart duo sonatas.