
Léon Boëllmann - Suite Gothique
Introduction - Choral
Menuet gothique
Traditional
Twinkle, twinkle, little star Harmonica
John Williams
Across the stars Cornet
Lionel Bart
Who will buy? (from Oliver!) Voice
John Hawkins
Samba-Cha Trumpet
Léon Boëllmann - Suite Gothique
Prière à Notre-Dame
Toccata
Elgar
Salut d'Amour Piano
Vivaldi
Allegro from Violin Concerto in G major, RV 310
Mozart
Contredance Violin
Vivaldi
Allegro from Sonata No 5 'Cello
Samuel Sebastian Wesley
Choral Song and Fugue
Bohm
Sarabande in G minor Violin
Carl Webster
Scherzo 'Cello
INTERVAL
Louis-Nicholas Clérambault - Suite du Premier Ton (5 of 7 movements)
Grand Plein Jeu
Duo
Basse et Dessus de Trompette ou de cornet séparé
Récits de cromorne et de cornet séparé
Dialogue sur les grands jeux
Einaudi
Nuvole Bianche Piano
John Rutter
A Clare Benediction Voice
Debussy
Doctor Gradus ad Parnassum Piano
Johann Sebastian Bach
Prelude and Fugue in C minor BWV 546
Gluck
O del mio dolce ardor Voice
Errol Garner
Misty Voice
Henri Mulet
Carillon-Sortie in D
We had been hoping very much that choir performances would be allowed by June, to enable us to highlight as usual our local talent in the Parish Church Choir for this Tuesday concert. Sadly, this was not possible due to Covid-19 restrictions. Instead, Martin Singleton has kindly agreed to perform this lovely organ recital, interspersed with selected solos by some of the younger choir members.
Martin has chosen organ works that suit the particular characteristics of the organ at St John’s Church. It is a splendid and balanced selection, including several that you may recognise from organ voluntaries, even if you don’t know them by name. The beautiful, prayerful third movement of Boëllmann’s Suite Gothique is a good example. Although SS Wesley was the supreme cathedral organist of Victorian England, this work was written for a chamber organ, yet it is in his typical style. We shall hear 5 of the 7 short movements of Clérambault’s Suite on the First Tone, a work full of melody and charm. The Prelude and Fugue BWV 546 for organ by JS Bach is ideally suited to the instrument, with a quite magisterial Prelude, while the Fugue has much intricacy and invention. The recital ends with Mulet’s (1878-1967) Carillon Sortie – a splendid exit to a delightful carillon bell-like pattern, initially played quite lightly, but building to a great climax.
Young musicians from Pinner Parish Church Choir have enthusiastically submitted solo works, to be accompanied by Martin Singleton on piano, to take the place of their choral concert. We shall hear a wide range of works and styles to showcase another aspect of their emerging musicianship by, among others, Vivaldi, Einaudi, Rutter, and Gluck.